Hemingway wrote
that he’d go to the Luxembourg, hungry,
and stare at the paintings
and this was a great way to see art.
The protagonist in Knut Hamsun’s
novel, Hunger,
empty-bellied and delirious,
bites hard into his finger, rending flesh,
to see, I imagine, how far he’d gone.
Kafka’s “Hunger Artist” desperately performing sideshow
feats
of living, of being,
and Paul Auster in his flat in Paris
translating French symbolist poetry
with a stomach groaning soliloquies.
Saroyan, in his room in New York, freezing, hair absurdly standing
on end,
trying to write a story, to be a writer.
These are some tales of hunger and low strong fires
that make for compelling drama
when you, yourself, juggling
the pits and seeds,
dream of paintings
far-removed from an ordinary appetite.
This is wonderful john would make a great painting. I love the image of the freezing man with his hair on end in NY
ReplyDeleteThank you, T, wrote this several years ago, and the dude with his hair freezing on end, an image that stuck with me, is from a William Saroyan short story from his collection The Daring Young Man on the Flying Trapeze (one of my all-time favorite books). Am enjoying the volley of this blog-inspired dialogue ;)
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