I have
seen
the
Little Emperor—
mischievous,
unabashed, baiting
in
borrowed skin
dong
tolling through the marketplace
offering
his services for a nominal fee.
He
leads, without words,
through
smile and eyes alone
flesh
blood bone advertisement
robed
in dust baked brown
in the
sun’s unremitting violence
hands
nursing thin air
into
something mesmeric.
One
afternoon I ask him—May I take your picture,
to
which he responds by flashing an upturned palm.
As soon
as he is paid he strikes a pose,
voguing
Marilyn or Madonna,
snap,
and then again, snap—
the
Little Emperor clearly relishing
the
instant celebrity aroused by my camera.
It is
only later,
in my
room, alone,
images
of the Little Emperor
spread
upon the table—
that I
come to understand
the
true meaning of double exposure.
It
begins with an Exacto,
and
just the right amount of human interest.
A
single blade
held up
to the light
gently
excising
surface
claims and
false
derivatives.
Bit
by
bit
by bit
prosthetic
names and dead skin fall away
until I
am left gaping into the source of majesty, revealed—
Emboldened,
I run
through the marketplace, screaming:
I have
seen the Little Emperor naked
I have
seen him naked for real—
Yet no
one turns to look,
I think
because I left my skin
at home,
and bluntly lucid
is an
advertisement with
too
much glare
and not
enough hook.
This is, like so many of your poems, John, superb.
ReplyDelete(Prof. Archnell)